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Notes on Womanhood

Published June 2022, Otago University Press | eBook version
Cover image by Henrietta Harris, Fixed It XV1, 2016. Courtesy of the artist and Melanie Roger Gallery.

After Sarah Jane Barnett had a hysterectomy in her forties, a comment by her doctor that she wouldn’t be ‘less of a woman’ prompted her to investigate what the concept of womanhood meant to her. Part memoir, part feminist manifesto, part coming-of-middle-age story, Notes on Womanhood is the result.

Here, Barnett examines the devastation she inflicted on herself as a young woman, the invisibility she feels as her youth fades, the power of female friendship, the stories women learn about midlife and menopause, and how being the daughter of a transgender woman changed her ideas of womanhood.

‘This book is a conversation with myself about my own womanhood,’ Barnett says. ‘The act of looking showed me the stitches: Western society’s beauty standards, the male gaze, a fear of aging, hair and gender, care work, my grandmother, life stage transitions, orca whales and tramping. All the people whose work I explored – Darcey Steinke, Alok Vaid-Menon, Megan Jayne Crabbe, Maggie Nelson, Reni Eddo-Lodge, Judith Butler, Barbara Brookes, Natalie Wynn, Ani Mikaere, Atul Gawande and many more – offered up ideas about gender, aging and society in a way that opened a door to the next idea. I kept on walking through those doors. The result is what I am calling my “coming-of-middle-age” story.’

Responses to Notes on Womanhood

“I loved this book. It’s the kind of book you don’t know you need until you read it. Then you realise you really, really do – and, also, that many of your friends will too.” – Ingrid Horrocks

“You have written a very good book.” – Kim Hill, Saturday Morning, Radio New Zealand

“In her personal reflection on what it means to be a middle-aged woman in Aotearoa today, Sarah Jane Barnett traverses rich and interesting territory … Barnett writes eloquently, with intelligence and sensitivity ... This is a thoughtful, wise book that rewards patience. Take your time with it.“ – Eleanor Black, Canvas Magazine, The Herald

”A clear-eyed, considered, personal investigation of what might be meant by the notion of ‘womanhood’ … illuminating and highly readable – I devoured it in two sittings … Notes on Womanhood is the rare type of book that can clarify the vague, conflicting thoughts that rattle around the back of your mind, and may ultimately grant you permission to go easy on yourself, no matter your gender.” – Jane Arthur, Dominion Post

”A sharp and intelligent memoir.”Catherine Woulfe, The Spinoff

Press
Interview: Sarah Jane Barnett speaks to Kim Hill about Notes on Womanhood on RNZ Listen
Interview: Sarah Jane Barnett speaks to Good Books Wellington about Notes on Womanhood Read
Interview: Sarah Jane Barnett speaks to André Chumko about Notes on Womanhood on Stuff NZ Read
Interview: Sarah Jane Barnett speaks to Sarah Lang about Notes on Womanhood for Capsule NZ
Read the full interview here: Part One, Part Two
Interview: Sarah Jane Barnett chats to Pip Adam about Notes on Womanhood on Better Off Read Listen
Interview: Sarah Jane Barnett on the She’s Inspirational Podcast Listen
Interview: Kete 12 Books of Christmas
Extract: Notes on Womanhood extracted on ReadingRoom, Newshub Read
Extract: Notes on Womanhood extracted on the Pantograph Punch Read
Review: Eleanor Black reviews Notes on Womanhood for Canvas, NZ Herald. Read
Review: Catherine Woulfe reviews Notes on Womanhood for The Spinoff. Read
Review: Hannah August reviews Notes on Womanhood for Nine to Noon, RNZ Listen

 
 
 
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WORK

Published 22 October 2015, Hue & Cry Press

In these six long poems Sarah Jane Barnett explores how people fight for a normal life. Set in Ethiopia, Paris, Norway, and New Zealand these astonishing poems take you into the lives of others – a grieving man leaves Ethiopia at the end of the civil war; a polyamorous couple have a child; a woman hunts a black bear on a New Zealand sheep station. Original and spellbinding, these poems walk the line between poetry and fiction. Read an interview with Sarah about WORK:  “A Slut for Beauty."

Responses to WORK

“In ‘Addis Ababa,’ an Ethiopian immigrant rehearses the losses that have brought him to New Zealand, and explores the business of getting by, fitting in, settling in to work. His work is translation, and as a linguist, he is acutely aware of verbal and cultural gains and losses. His language has a careful, scholarly formality; and there are brief lapses into his mother-tongue when he is stuck for a word or grappling with something untranslatable. Mostly these words are not glossed, so we are left to briefly feel his frustration. For this touching, eloquent sequence alone, the book is worth seeking out.” – Janet Hughes, New Zealand Books: A quarterly review

“Wonderful writing, it’s challenging, it’s unforgettable.” – Mary McCallum, Radio New Zealand

“Daring technically … The scientific images, rather than distancing a reader from this startlingly tender poem, are a paradoxical part of its intimacy … Its publication by Hue and Cry Press should add to the growing presence of this publisher and its reputation as a promoter of powerful and original work.” – John Horrocks, Landfall Review Online

WORK is richly imagined and elegantly written … [the poems’] careful imaginings of the particulars of six different human situations offer a variety of perspectives on the work required to live well – with ourselves and with others. Barnett’s voice is compassionate and intelligent.” – Sue Wootton, Takahe Magazine

“The silver linings that these characters find despite their struggles, all presented through Barnett’s beautiful language, makes WORK a moving portrayal of humanity.” – Emma Shi, Booksellers

 
 
 
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A Man Runs into a Woman

Finalist for Best Poetry Book
2013 New Zealand Post Book Awards

Published 10 August 2012, Hue & Cry Press

A Man Runs into a Woman looks at the different ways to tell a person’s story: two middle-aged men strike up an unlikely friendship, one couple reconnects after the war, while another couple leave the worst unsaid, and a cross-dressing man talks with his daughter. A series of nine distinctive poems explore the gap between the heartfelt last words of Texas death row inmates, and the grim police reports of their crimes. The collection was launched on 10 August 2012 by Hue & Cry Press. Listen to An interview about A Man Runs into a Woman on Arts on Sunday with Lynn Freeman.

Responses to A Man Runs into a Woman

“Vivid and real and so brave.” – John Campbell, Chief Judge of New Zealand Post Book Awards 2013

“Barnett deliberately treads an uneasy line between voyeurism and empathy in these remarkable poems.” – Tim Upperton, Landfall Review Online

“Barnett’s debut collection is well worth heralding … the poet has adeptly made this material her own and inhabits the specifics in order to invoke our deeper consternation and bewilderment about the sources of human cruelty.” – New Zealand Books

“This is an honest, zealous and dark little book. A Man Runs Into A Woman is stunning, stormy, snappy and accessible without hiding anything from the imagination.” – Otago Daily Times

“As a cartographer of human experience, Sarah Jane Barnett steps boldly into the shoes and lives of others: a cable television engineer, a geographer, a pipeline worker. Her alert mind and canny eye for detail translate and transform what we may have missed in the world into poetic vignettes that are both light-footed and fresh.” – Poet, Paula Green